#Christmas sale uad plugins how to#
#Christmas sale uad plugins upgrade#
#Christmas sale uad plugins series#

As of March 2017, there's a March madness sale. They have nice sales when retailers promote. When I bought my Satellite Quad Firewire card it came with the EMt 140, the Neve 88rs, and the EP-34 tape delay. If not that they are often bundled with software. Right now accelerator cards are on a price drop. Some tips if you're considering making the leap. Great for adding to low or higher frequencies.

#Christmas sale uad plugins upgrade#

The legacy free version is great! I'm sure the upgrade is nice, I just haven't gotten there yet. Great for giving kicks a little extra punch in the 60hz range. It's designed to emulate the best of the 1176 and LA2A. The LA3A is another solid compressor, also older and light on DSP. This was tricky to get right and surprisingly I was able to get it done with the 88rs instead of a surgical modern EQ like Ableton's EQ8. The legacy version was used to EQ some of the low-end parts on my tune Friction which was tricky because I had a big kick, with reverb to make the rumbly low end, and some tom drum parts to add extra low-end rhythm. I just got it so I can't speak to it in great detail yet. The new one is a DSP hog but it's sounds great.

The legacy version is super DSP friendly because it's an older plugin. It's a great swiss army knife and channel strips definitely have their place in the mix. I'm partial to the Neve 88rs because that was my first channel strip and it's very easy to use aside from the gate/expander thing. The thing sounds great but it's not too easy on the eyes. This is not the case for the API Vision Channel strip. There's only a few parts to move on the device so it's easy to get the right sound. Anything that's not moving too fast with tons of transients that I need to stand out in the mix a little more. Teletronix LA2A, has been getting a lot of use on my mic input channel when recording videos, but it's also amazing synths and bass parts. I used the Studer tape emulation on the low-end in these free samples. I find that the HF and LF controls help me dial in just the right sound for lows and hi's of the kick. The input and output settings are very important long with the secondary EQ controls. I usually stick to 30 IPS on the 'repro' tape formula. Tape speeds and settings have their characteristics. I use this a ton and love it! I buss my lows together so the Studer always goes on that channel to give a little extra heft. I have 1 or 2 set up for cymbals and claps/snares. Underused on my part.Д®MT 140 - very nice and easy to use. I do send my mixes to mastering with the Fatso on. I load up a master bus preset, adjust the input and threshold and within a few clicks, bam, I'm done. A button or 2 of warmth, I can set it to ignore the lows and I'm off.

#Christmas sale uad plugins series#

It's very nice for the sonic glue you'd be going for with Ableton/Cytomic's glue compressor or an SSL G series compressor.ДЎ-2 dB of compression, with the compressor on the bus setting which has a low ratio and the input is set in the middle. For sure, I just don't need to use that technique often to add fatness to drums because I'm covered on that front. Is it great for things like NYC/parallel compression. The Fatso has found a place on my master bus. Since 2013 I spent $706, that included a custom bundle at $399 with my purchase of a Satellite Quad Card.And I have an Apollo Twin Solo interface. Studer (here's a Studer Video I made a few years ago - where you can listen to it)

#Christmas sale uad plugins how to#

I'd have no idea how to do something similar in the box. And my gosh, that Studer tape machine emulation.I've never heard anything so awesome. But the UAD stuff will get you where you need to go faster. Truthfully the stock plugins in Ableton and Maschine are adequate. My interface was adequate with a Motu Traveler Mk1.

They were great but too big for my smaller desk and room. I already had decent monitors, pair of the original Event 20/20 powered monitors. New monitors, new interface, or a UAD Quad with new plugins. I was unsure of the best way to spend about $1,000. I had a UAD 1 card and didn't know what the hell I was doing.ДЇast forward about 9 years and I was in the market for a studio purchase that would take my sounds to the next level. The UAD platform has come a long way since I bought my first PCI card around 2004 or so. Founded by Bill Putnam a long time ago, his son has taken the company into the 21st century with the UAD platform released in the 2000s. UAD or Universal Audio has a long history in music production.

UAD Plugins & Dance Music Production So what's the deal with UAD plugins?ДЄre they worth it and are they worth using in dance music production?